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Shop Untitled (50 layers), Adam Fowler
3BF3AED2-6505-42B2-99A0-63911C9513FC Image 1 of 4
3BF3AED2-6505-42B2-99A0-63911C9513FC
2FD88ED6-6278-4232-A5A5-4146214387DC Image 2 of 4
2FD88ED6-6278-4232-A5A5-4146214387DC
1F7EB8DC-DE84-4EA4-BD88-486EE1437911 Image 3 of 4
1F7EB8DC-DE84-4EA4-BD88-486EE1437911
9100E278-8CDD-4672-AEE3-72F678C4BC51 Image 4 of 4
9100E278-8CDD-4672-AEE3-72F678C4BC51
3BF3AED2-6505-42B2-99A0-63911C9513FC
2FD88ED6-6278-4232-A5A5-4146214387DC
1F7EB8DC-DE84-4EA4-BD88-486EE1437911
9100E278-8CDD-4672-AEE3-72F678C4BC51

Untitled (50 layers), Adam Fowler

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Untitled (50 layers), Adam Fowler. 2008.

Fowler’s process begins by drawing in graphite on paper, only to painstakingly cut out any negative space from each sheet, slowly combining each layer onto the next. The result is a symphonic visual, blending the most simple aspects of line and form with the complex notions of time and space.

8x10, framed.

Ex:Margaret Thatcher Projects

Inquire

Add To Cart

Untitled (50 layers), Adam Fowler. 2008.

Fowler’s process begins by drawing in graphite on paper, only to painstakingly cut out any negative space from each sheet, slowly combining each layer onto the next. The result is a symphonic visual, blending the most simple aspects of line and form with the complex notions of time and space.

8x10, framed.

Ex:Margaret Thatcher Projects

Inquire

Untitled (50 layers), Adam Fowler. 2008.

Fowler’s process begins by drawing in graphite on paper, only to painstakingly cut out any negative space from each sheet, slowly combining each layer onto the next. The result is a symphonic visual, blending the most simple aspects of line and form with the complex notions of time and space.

8x10, framed.

Ex:Margaret Thatcher Projects

Inquire

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